Here's a short interview with Bernd Stegemann, former dramaturg for the Deutsche Theater in Berlin, who is currently Professor for Theater History and Dramaturgy at the Ernst Busch Academy of Dramatic Arts and head dramaturg at the Berlin Schaubühne.
I especially liked his opinion of the dramaturg's role during rehearsals. It is a strong opinion, yet I think also a justified one. I liked his general "acting suggestions" section and how a dramaturg reads a play on two levels to gain better insight on how to approach dramatizing characters and working with the actors who play them.
-Mike
Ghost Light is the Bachelor of Fine Arts in Production Dramaturgy Program at Carnegie Mellon University's School of Drama. The "Ghost Light" model of dramaturgy is a muscular, critically engaged, artistically vibrant approach to dramaturgy that requires thorough historical understanding, theoretical training broad and deep, and a passionate dedication to creating powerful, relevant performance of all types.
Use this blog to:
USE THIS BLOG TO:
*Communicate with the rest of the collective by posting comments, queries, observations, anecdotes, discoveries, cries for attention, and information relevant to your production work, as you will. * Share the site address with your casts and crews - post links to your packets and dossiers. * Use the RSS feeds which link to a number of sites of interest to us, and suggest new ones. * Recruit people you know who might be interested in joining the program. *
*Communicate with the rest of the collective by posting comments, queries, observations, anecdotes, discoveries, cries for attention, and information relevant to your production work, as you will. * Share the site address with your casts and crews - post links to your packets and dossiers. * Use the RSS feeds which link to a number of sites of interest to us, and suggest new ones. * Recruit people you know who might be interested in joining the program. *
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