Sorry for the sudden spamming. I found another short article from "Goethe-Institut" on dramaturgs, their multiple uses in the theatre, and also some interesting summaries of dramaturgical work done to enhance German productions throughout the last sixty years or so. Some of it is review, but I did find the specific stories, such as of the dramaturgy done with "Rechlitz" and "Gertrud," to be interesting because it expanded my notion of what a dramaturg could do in specific productions. Also, some of the German "turges" mentioned here might be useful to do further research on.
-Mike
Ghost Light is the Bachelor of Fine Arts in Production Dramaturgy Program at Carnegie Mellon University's School of Drama. The "Ghost Light" model of dramaturgy is a muscular, critically engaged, artistically vibrant approach to dramaturgy that requires thorough historical understanding, theoretical training broad and deep, and a passionate dedication to creating powerful, relevant performance of all types.
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USE THIS BLOG TO:
*Communicate with the rest of the collective by posting comments, queries, observations, anecdotes, discoveries, cries for attention, and information relevant to your production work, as you will. * Share the site address with your casts and crews - post links to your packets and dossiers. * Use the RSS feeds which link to a number of sites of interest to us, and suggest new ones. * Recruit people you know who might be interested in joining the program. *
*Communicate with the rest of the collective by posting comments, queries, observations, anecdotes, discoveries, cries for attention, and information relevant to your production work, as you will. * Share the site address with your casts and crews - post links to your packets and dossiers. * Use the RSS feeds which link to a number of sites of interest to us, and suggest new ones. * Recruit people you know who might be interested in joining the program. *
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