Ghostlighters,
Another really excellent piece of work here from Anthea, supported by Clare and Zander. The online casebook for Midsummer's! In the blog feeds. Congrats, Midsummer team!
-Doc
Ghost Light is the Bachelor of Fine Arts in Production Dramaturgy Program at Carnegie Mellon University's School of Drama. The "Ghost Light" model of dramaturgy is a muscular, critically engaged, artistically vibrant approach to dramaturgy that requires thorough historical understanding, theoretical training broad and deep, and a passionate dedication to creating powerful, relevant performance of all types.
Use this blog to:
USE THIS BLOG TO:
*Communicate with the rest of the collective by posting comments, queries, observations, anecdotes, discoveries, cries for attention, and information relevant to your production work, as you will. * Share the site address with your casts and crews - post links to your packets and dossiers. * Use the RSS feeds which link to a number of sites of interest to us, and suggest new ones. * Recruit people you know who might be interested in joining the program. *
*Communicate with the rest of the collective by posting comments, queries, observations, anecdotes, discoveries, cries for attention, and information relevant to your production work, as you will. * Share the site address with your casts and crews - post links to your packets and dossiers. * Use the RSS feeds which link to a number of sites of interest to us, and suggest new ones. * Recruit people you know who might be interested in joining the program. *
Thursday, September 30, 2010
Dramatist Guild Roundtable on Dramaturgy in the American Theatre
Dear Ghostlighters,
We have been reading an article from The Dramatist, the publication of the Dramatists' Guild, of a Roundable that took place in 2002 about dramaturgy in the American theatre. Participants included Mark Bly, Anne Cattaneo, Liz Engleman, John Dias, Janice Paran, Oskar Eustis, Michelle Volansky, Edward Albee, Susan Birkenhead, Gretchen Cryer, Carol Hall, David Henry Hwang, Shirley Lauro, Emily Mann, Polly Pen, and Jeffrey Sweet. Everyone is invited to post comments here - questions, rants, raves, cries of anguish, diverse alarums, calls to war, whatever. Non-CMU readers, we'd love your thoughts as well.
-Doc
We have been reading an article from The Dramatist, the publication of the Dramatists' Guild, of a Roundable that took place in 2002 about dramaturgy in the American theatre. Participants included Mark Bly, Anne Cattaneo, Liz Engleman, John Dias, Janice Paran, Oskar Eustis, Michelle Volansky, Edward Albee, Susan Birkenhead, Gretchen Cryer, Carol Hall, David Henry Hwang, Shirley Lauro, Emily Mann, Polly Pen, and Jeffrey Sweet. Everyone is invited to post comments here - questions, rants, raves, cries of anguish, diverse alarums, calls to war, whatever. Non-CMU readers, we'd love your thoughts as well.
-Doc
Tuesday, September 28, 2010
Barbarous Nights Online Casebook
Dear Ghostlighters,
Corinna Archer's online casebook for Barbarous Nights, the new adaptation of the works of Frederico Garcia Lorca which she is executing with CMU director Sam Creely, is a really excellent piece. The Nights crew presented their research last night at the first rehearsal, and we will be watching the blog from here from now on. Check for updates as the rehearsal process progresses.
http://www.barbarousnights.blogspot.com/
-Doc
Corinna Archer's online casebook for Barbarous Nights, the new adaptation of the works of Frederico Garcia Lorca which she is executing with CMU director Sam Creely, is a really excellent piece. The Nights crew presented their research last night at the first rehearsal, and we will be watching the blog from here from now on. Check for updates as the rehearsal process progresses.
http://www.barbarousnights.blogspot.com/
-Doc
Monday, August 30, 2010
Author's Rights in the hypermedia age
The link below, provided by Professor Boevers, raises some interesting questions about an artistic life in the hypermedia era:
1) What are the rights of an author in a day when it is increasingly difficult to assemble anything like "privacy" or "secrecy?"
2) What is the value of the schadenfreude of being a total jerk online compared to someone else's enjoyment of discovering a piece of theatre as it was intended to be discovered?
All of this has close bearing on our work - I urge you to read and comment.
Wikipedia springs 'Mousetrap' ending - News, Gadgets & Tech - The Independent
1) What are the rights of an author in a day when it is increasingly difficult to assemble anything like "privacy" or "secrecy?"
2) What is the value of the schadenfreude of being a total jerk online compared to someone else's enjoyment of discovering a piece of theatre as it was intended to be discovered?
All of this has close bearing on our work - I urge you to read and comment.
Wikipedia springs 'Mousetrap' ending - News, Gadgets & Tech - The Independent
Thursday, August 26, 2010
Kendra Chapman in the news
An article about our own Kendra Chapman in the Black4Youth publication.
http://www.4blackyouth.com/NewsDetail.aspx?id=66
http://www.4blackyouth.com/NewsDetail.aspx?id=66
Thursday, August 5, 2010
Jamie Green, Dramaturg - Interview
Discovered on youtube; an interview with Jamie Green, Literary Manager and Dramaturg with MCC Playwright's Coalition. What do you think?
-Doc
-Doc
Michael Lupu Honored
This from Goeff Proehl.
I'm happy to share this news:
At the 2010 Annual Meeting of the Guthrie Theatre’s Board of Directors, Michael Lupu, senior dramaturg at the Guthrie received the Artistic Director’s Award from Joe Dowling.
Dowling, in presenting the award, noted Lupu’s unwavering commitment to artistic excellence in a career that has spanned thirty years.
In 2006, Michael received LMDA's Lessing Award for Lifetime Career Achievement.
* * *
Geoff Proehl, Theatre Arts, Univ. of Puget Sound, 1500 N. Warner St., Tacoma, WA 98416-1084
gproehl@ups.edu; 253-879-3101 (office); 253-761-0804 (home); 253-370-2445 (cell);
Member LITERARY MANAGERS AND DRAMATURGS OF THE AMERICA.
I'm happy to share this news:
At the 2010 Annual Meeting of the Guthrie Theatre’s Board of Directors, Michael Lupu, senior dramaturg at the Guthrie received the Artistic Director’s Award from Joe Dowling.
Dowling, in presenting the award, noted Lupu’s unwavering commitment to artistic excellence in a career that has spanned thirty years.
In 2006, Michael received LMDA's Lessing Award for Lifetime Career Achievement.
* * *
Geoff Proehl, Theatre Arts, Univ. of Puget Sound, 1500 N. Warner St., Tacoma, WA 98416-1084
gproehl@ups.edu; 253-879-3101 (office); 253-761-0804 (home); 253-370-2445 (cell);
Member LITERARY MANAGERS AND DRAMATURGS OF THE AMERICA.
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